An 80th birthday celebration of saxophonist Cannonball Adderley featuring tracks from albums by Cannonball Adderley: Mercy, Mercy, Mercy: Live at 'The Club', Somethin' Else, Them Dirty Blues, Jazz Workshop Revisited, At the Lighthouse, Know What I Mean?, The Black Messiah, Cannonball's Bossa Nova, Cannonball's Sharpshooters, Cannonball Enroute, Phenix, Money in the Pocket, Julian 'Cannonball' Adderley, Presenting Cannonball Adderley; by Miles Davis: Milestones; and by Kenny Clarke: Bohemia After Dark with Nat Adderley, Miles Davis, Bill Evans, John Coltrane, Joe Zawinul, Horace Silver, Blue Mitchell, Hank Jones, Red Garland, George Duke, Yusef Lateef, Bobby Timmons, Victor Feldman, Sergio Mendes, Junior Mance, Sam Jones, Paul Chambers, Walter Booker, Victor Gaskin, Art Blakey, Jimmy Cobb, Kenny Clarke, Philly Joe Jones, Roy McCurdy, Louis Hayes and Airto Moreira [1'14] Our Delight (Cannonball's Sharpshooters, Mercury 1958) Nat Adderley- cor; Junior Mance- p; Sam Jones- b; Jimmy Cobb- d [5'50] Del Sasser (Them Dirty Blues, Riverside 1960) Nat Adderley- cor; Bobby Timmons- p; Sam Jones- b; Louis Hayes- d [10'29] Work Song (Phenix, Fantasy 1975) Nat Adderley- cor; George Duke- p, syn; Sam Jones- b; Louis Hayes- d; Airto Moreira- perc [16'58] Big 'P' (At the Lighthouse, Riverside 1960) Nat Adderley- cor; Victor Feldman- p; Sam Jones- b; Louis Hayes- d [22'37] with Kenny Clarke: Willow Weep for Me (Bohemia After Dark, Savoy 1955) Horace Silver- p; Paul Chambers- b; Kenny Clarke- d [28'26] Sticks (Mercy, Mercy, Mercy: Live at 'The Club', Capitol 1966) Nat Adderley- cor; Joe Zawinul- p; Victor Gaskin- b; Roy McCurdy- d [32'42] Jessica's Day (Jazz Workshop Revisited, Riverside 1962) Nat Adderley- cor; Yusef Lateef- ts; Joe Zawinul- p; Sam Jones- b; Louis Hayes- d [39'10] Groovy Samba (Cannonball's Bossa Nova, Riverside 1962) Sergio Mendes- p; Durval Ferreira- g; Octavio Bailly Jr.- b; Dom Um Romao- d [44'06] with Miles Davis- Two Bass Hit (Milestones, Columbia 1958) Miles Davis- tp; John Coltrane- ts; Red Garland- p; Paul Chambers- b; Philly Joe Jones- d [49'16] Nardis (Portrait of Cannonball, Riverside 1958) Blue Mitchell- tp; Bill Evans- p; Sam Jones- b; Philly Joe Jones- d [54'45] The Chocolate Nuisance (The Black Messiah, Capitol 1971) Nat Adderley- cor; George Duke- p; Mike Deasy- g; Walter Booker- b; Roy McCurdy- d; Airto Moreira- perc [63'06] A Little Taste (Presenting Cannonball Adderley, Savoy 1955) Nat Adderley- cor; Hank Jones- p; Paul Chambers- b; Kenny Clarke- d [68'13] Fiddler on the Roof (Money in the Pocket, Capitol 1966) Nat Adderley- cor; Joe Zawinul- p; Herbie Lewis- b; Roy McCurdy- d [78'39] Somethin' Else (Somethin' Else, Blue Note 1958) Miles Davis- tp; Hank Jones- p; Sam Jones- b; Art Blakey- d [86'49] You'd Be So Nice to Come Home To (Julian 'Cannonball' Adderley, EmArcy 1955) Nat Adderley- cor; J.J. Johnson- tb; Cannonball Adderley- as; Jerome Richardson (ts, fl) Cecil Payne (bars) John Williams (p) Paul Chambers (b) Kenny Clarke (d) Quincy Jones (arr) [90'25] Toy (Know What I Mean?, Riverside 1961) Bill Evans- p; Percy Heath- b; Connie Kay- d [95'30] I'll Remember April (Cannonball Enroute, Mercury 1958) Nat Adderley- cor; Junior Mance- p; Sam Jones- b; Jimmy Cobb- d [101'00] This podcast is made possible with your PayPal contributions. Please use the link below to contribute, or visit illasounds.podomatic.com and look for the Paypal button in the right hand column. Thank you.

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